Irma and Henri live the great dream of eternal love. But then, even the smallest change can be fatal.
Leopold and Alex meet in a car accident. However, Alex does not know how the accident came about.
After a life in prison, a jailbird no longer finds his bearings in freedom. Instead, he wins the heart of a beautiful florist.
At the sight of illness and suffering, the elderly doctor, Johann, bursts into compassionate tears. Often, this helps his patients. Only one thing doesn’t appreciate it at all: Death.
The Evening of All Days
Felix Tissi
Born in 1955 in Schaffhausen/Switzerland. Studied at the Film Academy Vienna. Active as a screenwriter and director.
| 1985 | Noah & der Cowboy | Spielfilm | 1985 |
| 1988 | Till | Spielfilm | 1988 |
| 1991 | Aus heiterem Himmel | Spielfilm | 1991 |
| 1995 | Schlaraffenland | Spielfilm | 1995 |
| 1999 | Who's Next? | Spielfilm | 1999 |
| 2000 | Viva la Muerte | filmischer Essay | |
| 2003 | Flaschen und Götter | Dokumentarfilm | 2003 |
| 2007 | Desert - Who Is the Man? | Dokumentarfilm | 2008 |
| 2016 | Welcome to Iceland | Spielfilm | |
| 2019 | Gottlos Abendland | Dokumentarfilm | |
| 2022 | Aller Tage Abend | Spielfilm | 2022 |
“Old age has a bad reputation, but also great advantages: At last, you’re allowed to just be a human being and get up to all kinds of mischief. With a certain mischievousness, ALLER TAGE ABEND even cheats death because not everything that is weighty has to be heavy.
An unusual point of view also demands an unusual film language. As a result, expectations of viewing habits and our everyday world don’t even arise in the first place. In my scripts, I write quite seriously about unserious things and take the art of playing a role literally: I play.”
Felix Tissi

