After being caught in flagrante by his girlfriend Doro, womanizer Axel needs to find a new place to stay in the middle of the night. Out of necessity, he accepts an invitation from Norbert, who is gay, to spend the night at his place. When Doro surprises the two of them in a compromising position, she naturally believes Axel is actually gay or at least bisexual ...
Maybe... Maybe Not
Sönke Wortmann
Born in Marl in 1959. Study of film at the Hochschule für Fernsehen und Film (HFF). Active as a director, producer and screenwriter.
1986 | Fotofinish | Kurzfilm | 1986 |
1990 | Eine Wahnsinnsehe | Spielfilm | |
1991 | Allein unter Frauen | Spielfilm | |
1992 | Kleine Haie | Spielfilm | |
1993 | Mr. Bluesman | Spielfilm | |
1994 | Der bewegte Mann | Spielfilm | 2021 |
1996 | Das Superweib | Spielfilm | |
1999 | St. Pauli Nacht | Spielfilm | |
2001 | Der Himmel von Hollywood | Spielfilm | |
2003 | Das Wunder von Bern | Spielfilm | |
2006 | Deutschland. Ein Sommermärchen | Dokumentarfilm | |
2009 | Die Päpstin | Spielfilm | |
2012 | Das Hochzeitsvideo | Spielfilm | |
2014 | Schossgebete | Spielfilm | |
2015 | Frau Müller muss weg! | Spielfilm | |
2017 | Sommerfest | Spielfilm | |
2018 | Der Vorname | Spielfilm | |
2019 | Contra | Spielfilm |
“I had noticed Sönke Wortmann much earlier in a completely different context, namely, as a player for my hometown soccer club SC Westfalia Herne 04. We met in person for the first time on a student film set in Tübingen. I was visiting one of my acting teachers who had taken on a role there, and Sönke Wortmann was a member of the film crew. Our meeting resulted in two engagements under Sönke Wortmann’s direction, in “Die Hochzeit des Figaro” and in “Wahnsinnsehe.” At some point, he asked me if I knew Ralf König’s comics. I even knew Ralf König personally. At the beginning of the 80s, he had caused quite a stir with his trashy troupe “The Emscher Sisters,” among others also in the corner pub Vorort in Dortmund, which I ran at that time together with six other crazy people. Ralf König was impressive with a “Mireille-Mathieu-Playback-Disaster.” How I was supposed to find myself in Ralf’s bulbous-nosed ensemble was a mystery to me until Sönke Wortmann explained his plans to me and offered me the role of the homosexual Norbert Brommer. Today, I have to laugh when I think that my first thought back then was: if I play Norbert Brommer, it’s absolutely necessary to communicate that I’m not gay. 1994, a different time. A casting at the Film Academy in Ludwigsburg as part of a workshop by Sönke Wortmann, but with Kai Wiesinger as Axel Feldheim at my side, brought the decision. The material I worked up convinced the producer Bernd Eichinger— and I had the role. Later, he told me that I was actually too old for him, but that he was very, very happy to have overlooked it."