Jan, a man at a crossroads, decides to go on a trip to a country ravaged by war. Very soon, however, his weariness with life seems pitiful compared to the fate of those who cling to the slightest hope for reconstruction. As he builds relationships with the survivors he meets, he rediscovers meaning in his own life. The film is an ode to resilience, an ode to life.
Hotel Silence
Léa Pool
Born in 1950 in Geneva/Switzerland. One of the great Canadian filmmakers despite not having a formal education in film.
1984 LA FEMME DE L’HOTEL, Spielfilm
1986 ANNE TRISTER, Spielfilm
1988 À CORPS PERDU, Spielfilm
1991 LA DEMOISELLE SAUVAGE, Spielfilm
1993 MOUVEMENTS DU DESIR, Spielfilm
1999 EMPORTE-MOI, Spielfilm
2000 LOST AND DELIRIOUS, Spielfilm
2002 THE BLUE BUTTERFLY, Spielfilm
2008 MAMAN EST CHEZ LE COIFFEUR, Spielfilm
2010 LA DERNIERE FUGUE, Spielfilm
2011 PINK RIBBONS, Dokumentarfilm
2015 LA PASSION D’AUGUSTINE, Spielfilm
2016 DOUBLE PEINE, Dokumentarfilm
2017 ET AU PIRE, ON SE MARIERA, Spielfilm
2022 HOTEL SILENCE, Spielfilm HOF 2024
“I love the way the Icelandic author Audur Ava Ólafsdóttir treats a serious subject with modesty and humanity. The title of the novel Ör in Icelandic means ‘scars’. I adapted her novel and developed Hôtel Silence from it. By drawing a parallel between the scars of a man and those of a community traumatized by war, the film highlights the work of reconstruction; reconstruction of oneself, but also that of a people. I also find themes of Ólafdottir’s works in my own films: topics like exile, childhood, women (their suffering and their strength), the precarious balance in which the characters find themselves, far from their bearings, the need they have to move, transform. The passage from solitary to solidarity, from individual to collective, challenges me as a filmmaker and seems to me, today more than ever, widespread. In a time of ever more wars, creating suffering and destruction, Hôtel Silence is a universal story about courage and resilience”.
Léa Pool