Catherine misses her Flixbus and finds herself stranded at a highway rest area somewhere near Marseille. Resigning herself to make do, she starts walking along the highway, passing through industrial landscapes where, among other weird people, she encounters the Pharaoh of Marseille, the prophet of the power poles, who becomes her guide. This mystical and comical figure takes her through the wastelands of the suburban world, explored in wide shots that highlight the distances and the emptiness of the spaces. Catherine encounters crooked bosses and techno-enthusiastic Tesla drivers and stumbles upon a ceremony dedicated to the mysterious Silurian. A picaresque journey into the imagination of the marginalized through the lens of a post-industrial society in full decay.
The Song of the Pylons
Léo Bayle, Téano Horn
Born in 2001 in France. Studied Art at the Haute École des Arts du Rhin. Long interested in highway landscapes and Occitan folklore in southern France. Active as a director.
2024 LE CHANT DES PYLÔNES (Co-Regie), Spielfilm HOF 2024
Born in 1999 in Reims/France. Studied Art and Design at École Supérieure d’Art et de Design de Reims, then at the Haute École des Arts du Rhin. Worked in painting and video production. Active as a screenwriter and director.
2024 LE CHANT DES PYLÔNES (Co-Regie), Spielfilm HOF 2024
“We wanted to open a breach, to bring the viewer into those areas that are only glimpsed at along the edge of the highway, but where we never stop. We shared the idea that the artificialization of territories, along with the biological disaster, leads to a collapse of our imagination. There is a certain truth in these places: the desolation is not hidden. The scenery embodies disenchantment. We wanted the viewer to be able to see the pylons as totems.”
Léo Bayle and Téano Horn