In a race against time, an ailing woman is struck by the discovery of her teenage son’s violent obsessions. She must go to great lengths to protect him, and possibly others. This portrait of a Chinese American family is inspired by true events.
Rosemead
Eric Lin
Lives in New York. Studied Sociology and Film Criticism at the University of California, Berkeley, and in the graduate film program of the Tisch School of the Arts at New York University. Active as a cinematographer and director.
2002 | Fortune | Kurzfilm | |
2005 | Music Palace | Kurzfilm | |
2006 | What Remains | Kurzfilm | |
2012 | Purple and Gold | Kurzfilm | |
2025 | Rosemead | Spielfilm | 2025 |
“When I first read about the Hang family’s tragic story, I was deeply moved because it spoke so closely to my own experience in so many ways.
Growing up Taiwanese American in Southern California, I spent many weekends in the neighboring Chinese enclaves of the San Gabriel Valley. I recall the sense of existing in a liminal space, between belonging and being an outsider, that is palpable in Joe. A story that focuses on the ways mental illness can overwhelm a Chinese immigrant family hasn’t been seen on screen before, and I deeply felt that it had to be told.
While ROSEMEAD is a universal story about a mother trying to protect her son, it is a story that is especially urgent for the AAPI community, a demographic that the National Alliance on Mental Illness notes is the least likely to seek treatment from mental health professionals. Now more than ever, I truly feel that there is a need to tell stories that bring audiences into the lives of those who are marginalized, or worse, vilified.”