In Los Angeles, unemployed actress Julie Sawyer picks up a white German shepherd that she has knocked down with her car. After having it examined by a vet, she takes the animal home with her and then sets out with her boyfriend to find its owner. However, it turns out that the dog is a so-called ‘white dog’—trained by racists as a puppy to attack people of color. She seeks help from Keys, an African-American animal trainer; he takes on the apparently hopeless challenge of ‘reprogramming’ the dog.
Sam Fuller’s radically anti-racist thriller White Dog is a bitter indictment as well as a fascinating parable, showing that no one is born a racist but made into one.
White Dog
Samuel Fuller
Born in Worcester, Massachusetts in 1912, died in Hollywood, California in 1997. 1929, crime reporter for the NEW YORK EVENING GRAPHIC. Worked as a screenwriter in Hollywood and was also active as a screenwriter, novelist, actor and director.
1949 | I Shot Jesse James | Spielfilm | |
1950 | The Baron of Arizona | Spielfilm | |
1951 | The Steel Helmet | Spielfilm | |
1952 | Park Row | Spielfilm | |
1953 | Pickup on South Street | Spielfilm | |
1954 | Hell and High Water | Spielfilm | |
1955 | House of Bamboo | Spielfilm | |
1957 | Run of the Arrow | Spielfilm | |
Forty Guns | Spielfilm | 1983 | |
1959 | The Crimson Kimono | Spielfilm | |
1961 | Underworld U.S.A. | Spielfilm | |
1963 | Shock Corridor | Spielfilm | |
1964 | The Naked Kiss | Spielfilm | |
1969 | Shark! | Spielfilm | |
1980 | The Big Red One | Spielfilm | |
1982 | White Dog | Spielfilm | 1983 |