In her conflict with the totalitarian regime, Astra, an ambitious doctor, loses literally everything: her career, her will to live, even her maternal instinct to nurse her own baby. Daughter Nora nevertheless becomes Astra’s greatest support, and in the process she learns to survive even in the repressive system of the Soviet regime. Together with her intersexual friend, Jesse, Nora helps Astra fight her depression.
Soviet Milk
Ināra Kolmane
Born in 1961 in Riga/Latvia. Studied at the St. Petersburg Film Academy. Active as a director.
2001, POCO A POCO…LITTLE BY LITTLE, Dokumentarfilm
FROSTY FLOWERS, Kurzfilm
2002, A WORLD APART, Dokumentarfilm
2006, MY HUSBAND ANDREI SAKHAROV, Dokumentarfilm
2009, NUDE, Dokumentarfilm
2010, CONTROVERSIAL HISTORY, Dokumentarfilm
2012, AGE OF DELIRIUM, Dokumentarfilm
MONA, Spielfilm
2015, RUCH AND NORIE, Dokumentarfilm 2018, DOUBLE LIFE. SEX IN THE USSR, Dokumentarfilm
BILLE, Spielfilm
2023 SOVIET MILK, Spielfilm HOF 2023
“The story reveals in a deeply compassionate way how human nature collides with the totalitarian Soviet regime. [...] My film concept is based on the reflection of interpersonal and social relations as well as historical processes, which are revealed through the lives and viewpoints of two women. By tracing how the restrictions and contradictions of a totalitarian regime shape people's lives and actions, the (im)possibility of personality development under this regime becomes clear.
These motifs are reflected throughout the film; they form its ideological framework and thematize the conflict between the human desire for free self-realization and development and the tendency of the ruling political regime’s omnipresent control.
The film consists of two chapters, each showing a different point of view – the mother’s and the daughter’s. In this way, it is easy to see the absurd Soviet system and the fates of the people through the eyes of an adult who has lost her ideals, but at the same time from the perspective of a child. Each chapter contains events from different periods of time, showing, on the one hand, the mother's powerlessness as an individual in the face of the regime and, on the other hand, the story of a growing child with her faith in the future.”
Ināra Kolmane