Until the 1950s, the Social Democratic Party (SP) and trade unions led the Swiss workers’ culture, but these institutions gradually lost significance. The working population was divided into “locals” and “migrants”. Today, the term “working class” has gone out of use, and the term “worker” has become synonymous with “foreigner”.
The Miraculous Transformation of the Working Class into Foreigners
Samir
Born in 1955 in Baghdad/Iraq. After training in Cinematography, began making his own films. Active as a director, screenwriter, and producer.
1997 BALKO, TV-Serie
1999 DIE JAGD NACH DEM TOD, TV-Film
2002 FORGET BAGHDAD, Dokumentarfilm 2019 (Retro)
2005 SNOW WHITE, Spielfilm 2019 (Retro)
2010 ESCHER, DER ENGEL UND DIE FIBONACCI ZAHLEN, Dokumentarfilm
2014 IRAQI ODYSSEY, Dokumentarfilm 2019(Retro)
2019 BAGHDAD IN MY SHADOW, Spielfilm Hof 2019 (Retro)
2024 DIE WUNDERSAME VERWANDLUNG DER ARBEITERKLASSE IN AUSLÄNDER, Dokumentarfilm HOF 2024
„As a child of the generation of ‘68, I have always actively participated in social events. In my documentary films, I engage with the question of whether and how I can integrate my personal experiences and political reflections into my artistic work. The starting point for this documentary is the famous slogan from the 60s, ‘The personal is political.’
In Die wundersame Verwandlung..., I wanted to turn my experiences as a migrant in Switzerland not just into a personal résumé. For me, it was important to process the history of the Swiss labor movement – of which I was once a part – and to depict it in all its contradictions. I am one of many eyewitnesses to significant historical events and belong to the migrant workforce that has fundamentally changed Switzerland’s infrastructure and culture over the past 70 years. Research revealed that the roots of xenophobic policies lie in the fascist movement of the 1920s and 1930s. The film distinctly adopts the perspective of the so-called ‘guest workers’ which forms the narrative thread.”
Samir