At first glance, the five directors seem to have nothing in common—they couldn’t be more different. Looking at their biographies, though, we find one name connecting them all: Rosa von Praunheim, probably Germany’s most uninhibited, provocative, and honest director. To mark his 70th birthday, the Rosakinder, as they call themselves, created a tribute to Praunheim. They introduce themselves and their paths to film, and Rosa von Praunheim appears repeatedly at key stages in their lives and creative work.
Each of the directors has made their own short, very personal film about their relationship with Rosa. The result is a colorful collage of genres set within a documentary framework. Between equal measures of creativity, innovative drive, defiance, violence, provocation, insecurity, and love, the teacher gradually becomes a father figure: a father with whom they sometimes argue so much that they want to fight him. But also, a father they call up when they actually want to be alone, not talking to anyone.
Rosakinder
Julia von Heinz, Chris Kraus, Axel Ranisch, Robert Thalheim, Tom Tykwer
Born in 1976 in Berlin. Studied and attained a Doctorate degree at the Film University Babelsberg Konrad Wolf. Active as a director, screenwriter, producer and professor.
2008 | Alles was am Ende zählt | Spielfilm | |
Standesgemäß | Dokumentarfilm | 2008 | |
2012 | Hanni und Nanni 2 | Spielfilm | |
Rosakinder | Dokumentarfilm Co-Regie |
2012 | |
2013 | Hannas Reise | Spielfilm | 2013 |
2015 | Ich bin dann mal weg | Spielfilm | |
2017 | Katharina Luther | TV-Film | |
2018 | Für immer und dich | TV-Film | 2018 |
2020 | Und morgen die ganze Welt | Spielfilm | 2020 |
Rosakinder and Meine Väter
I met Rosa von Praunheim in 2005. First, I worked as his intern, then as his assistant director and editor, later as his artistic collaborator at film school, and finally, I became his friend, confidant, and colleague. For 20 years now, we have sought each other’s advice on both artistic and personal matters. To mark his 70th birthday, we decided to make a cinematic declaration of love for him, featuring directors that he had influenced as a mentor and father figure. It turned into a declaration of love for Rosa, this incredibly courageous, productive, and warm-hearted person whose art and activism have shaped German filmmaking for 60 years. And it also emerged as a film about filmmaking, featuring five directors who describe their own professional paths in a candid, open manner.
I realized once again how important Rosa was to me as a mentor when I contributed my short film Meine Väter to a European Covid compilation entitled Isolation. My father died at the age of 80, only a day before the first lockdown. Clearing out his room in Dresden, my sister and I discovered that he had hidden his homosexuality from us, and essentially, he had missed out on another possible life. He was almost the same age as Rosa von Praunheim. In close correspondence with Rosa, I processed this new insight into my own father cinematically.