The film follows the exceptional photographer Andreas Reiner and his work and shows his frugal life on a dilapidated farm. A journey into the heart of the darkness of his past, but also a hymn to human existence. Reiner’s photographic frontier experiences are often provocative, generating fertile anger, but equally testifying to a fierce lust for life.
Shadow Child - Andreas Reiner - Images of the other life
Jo Müller
Born in Aichelberg. Worked as a radio announcer and reporter. Active as a director, writer and producer.
1993 HEXEN, RÄUBER UND GESPENSTER: DER GESCHICHTENERZÄHLER OTFRIED PREUSSLE (Co-Regie), Dokumentarfilm
1996 KAMPF DER WELTEN: EMMERICH DREHT „INDEPENDENCE DAY“, Dokumentarfilm
1997 EIN MONSTER ERWACHT, Dokumentarfilm
2002 DIE COMICWELTEN DES ALBERT UDERZO, Dokumentarfilm
2009 POPULÄR: 20 JAHRE FANTA VIER, Dokumentarfilm
2011 KOMA, Kurzfilm
2012 ROLAND EMMERICH- MEIN LEBEN, Dokumentarfilm
2016 SAGENHAFTER SÜDWESTEN, Doku-Fiction-TV-Serie
2017 KINOTRÄUME, Dokumentarfilm
2018 CARL LAEMMLE: EIN LEBEN WIE IM KINO, Dokumentarfilm
2020 RAUHNÄCHTE: WILDE JAGD UND STILLE ZEIT, Doku-Fiction
2021 UNHEIMLICHE GESCHICHTEN, Doku-Fiction
2022 HARALD SCHMIDT: BACK TO THE ROOTS, Dokumentarfilm
SCHATTENKIND - ANDREAS REINER - BILDER DES ANDEREN LEBENS, Dokumentarfilm HOF 2022
“The folded hands of a dead man – a black and white image I couldn’t get out of my head. I discovered it in 2018 while researching artists in the Biberach area for a television program. That’s how I met the exceptional photographer Andreas Reiner whose work stirred me, captivated me, inspired me. He focuses on the forgotten and the lost of out society because he considers himself one of them. And that’s what makes his photographs so unique. They come across as authentic, honest, sometimes like a punch in the gut, testifying to the rage this man has in his belly. What Andreas had to go through as a child and teenager is the stuff of nightmares. Having occasionally run into each other, the decision matured to realize a feature-length cinema documentary about his life and his images. [...] I won’t forget a moment of this intense filming which sometimes also led into the heart of darkness.”
Jo Müller